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Showing posts with label Rituparno Ghosh. Show all posts
Showing posts with label Rituparno Ghosh. Show all posts

Tuesday, August 30, 2016

Ever more...

Some people become ever present in our lives with every passing day....

Ritu_da shall remain in our hearts.

On his birthday, his absence from the mortal world pains me as much as it comforts me to see him manifest in my soul, ever more.

Thursday, May 29, 2014

A year passes by without you

"Kaisi ajeeb daawat hai yeh...." 
A year passes by without you Rituda.... yet you are so much there in our souls, you always shall be.




Sunday, August 18, 2013

'Selected Memories'

It was Baishey Srabon, yet again the occasion Rabindranath Tagore's death anniversary, a day that is considered special for all Bangalis, and for all Tagore-lovers. This year was the 72nd death anniversary of the bard, and it was made all the more special for me, and many who share my passion and are possibly my readers, by Doordarshan which honored the bard's memory by telecasting Rituparno Ghosh's 78-minute-long impressionistic documentary titled 'Jeevan Smriti' ('Selected Memories'; with English sub-titles). The documentary, more of Ghosh's take on the bard, was much awaited for many reasons. First, it was the last of the filmmaker's completed projects. It was shot in phases for over a year, and had waited to see the light of day (only seen by a select few in an invitational screening or more) for long. Rituparno Ghosh, known to be a consummate researcher, had worked on the theme for several years before embarking on the actual filming. documentary. It had taken more time and energy than he was known to devote to his feature films. It was dear to his heart because of his passionate association with the bard and his works. He was known to have quite a vast knowledge on the subject that had even made him quite a treasure-house, especially of the nuggets, of information recently. Watching the film, made me emotional. It made me heavy-hearted. Nostalgia gripped me, I felt enthused, was ecstatic at times...... my eyes welled with tears for many reasons. It would be difficult for me to dissect the film for its merits and demerits, I apologize to my readers for my inability to review the film as many would have wanted me to. Consider it my personal incapacity. However, I would want all of you to watch the film, if ever you get the opportunity to do so. It was Rituda's pet project, he had wanted to steer clear of the baggage that we carry with the respect that we have for the fine documentary on Tagore made by Satyajit Ray. He had wanted to traverse interesting facets from the bard's life, his extensive travels, and his many platonic relationships as well. Samadarshi Datta played a young Rabindranath, in his twenties - quite the romantic and formative period in the poet's life, while Sanjoy Nag played the aged bard, there were Raima Sen and Arunima Ghosh in the cast too. Rituda himself had a memorable presence in the film, almost giving one the feeling of a consummation with the bard, as he is found baring his soul, his spirit to us viewers, as his life unfolds. The background commentary has paralleled the dramatized documentation and that too has been enriched by many an actor, including Deepti Naval and Anasuya Majumdar. Rituparno intentionally chose to attach multiple layers, to showcase Tagore's multiplicity. However, he has also banked on the scenes from some Ray films based on Tagore's works, reinstating the obvious association that we, people of his generation and thereafter, have particularly had with Tagore -the creator and Tagore - the individual.


























Thursday, May 30, 2013

Rituda ... (1963 - 2013)

'Mathura nagarpati kaahe tum Gokul jaao?"
Just two days back, Rituda had tweeted: Wrapped up the shoot of Satyanewshi, a crime thriller in the molten glow of the pensive falling afternoon. And, now, all we are left with are his memories, his films, his voice on record, and reverberating in our souls. Can't believe that he is no more with us.
Right from the moment I started getting messages and calls on my mobile phone telling me about the sudden and untimely demise of Rituparno Ghosh,
It felt like a personal loss.
The fact remains that, though I had met him on two occasions, there was no personal connection to boast of.

I am sure there are many like me who bonded with him emotionally because of his films, because of his thoughts and philosophies, because of what he stood for and symbolized.

My friend Sid summed it best, saying that he was an inspiration, a mentor, a guide..... a revolutionary, not in the usual firebrand mode, but in an altogether sublime way. I agree with Aryan completely when he said that it feels surreal, absurd, to watch Rituda's lifeless body being taken out of his home...... he was dressed regally yet simply, and it seemed he was sleeping in peace.
For most of his working years, he worked at a hectic pace, his mind was at a creative overdrive most of the time, and I wondered how he managed to read so much and possess such expansive knowledge on a host of things that were close to his heart.
 Saurabh's spontaneous reaction was evocative. He said: Rituparno Ghosh not only meant cinema....... he stood for a lot more - more than can perhaps be comprehensively embodied by a single person! He was a consummate filmmaker and, more than anything, passionate about aesthetics. Bonnie calls him a contemporary legend. In his words: As a filmmaker, he was unlike many of the phonies who inhabit this world, he was a genuine person, warm and magnanimous, and as a creative thinker unparalleled.
Actually, Rituda's absence from this physical world is too hard to sink in for me. I had looked forward to be provoked and challenged by defiant and emotionally-charged offerings so keenly..... anyhow, life goes on, but I would like to end this write-up with a question that has been posed by Mehul (my best friend from the virtual world), and I ponder on the same all day long..... he asks if I noticed 'how Death had a luminous presence in almost all his films'. I did. So did many of the critics. Inadequacies and insecurities of all kinds were traced translucently and lucidly by Rituda, he understood the nuances of relationships and personal vulnerabilities like none else. We will miss you Rituda, all the more with every passing day.... but, at the same time, you will always be in our hearts. There would be millions who would be influenced and inspired by you in the days to come, and I am sure you would even be endeared by many who are yet to discover you. Love you Rituda..... always will.