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Showing posts with label 'Bhooter Bhobishyot'. Show all posts
Showing posts with label 'Bhooter Bhobishyot'. Show all posts

Monday, December 31, 2012

Here are the others!

Some people have asked me why I've selected only my top ten favorite films for the year, and why not the others, especially the regional films, and that's the reason I am mentioning the names of some of the other films that I have been much impressed by, for a variety of reasons, and in varying degrees (these include the Indian films too, Mehul!). Hope my readers would delight me with their comments.



50/50 (2011) 
The Tree of Life {2011)
The Help (2011) 
Moneyball (2011) 
Miss Potter (2006) 
The American (2009)
Carnage (2011)
Sherlock Holmes: A Game of Shadows (2011)
Daydream Nation (2010)
The Descendants (2011) 
We Need to Talk to Kevin (2011) 
Tinker Tailor Soldier Spy (2011) 
The Girl with the Dragon Tattoo (2011)
The History Boys (2006) 
Julie and Julia (2009) 
War Horse (2011) 
Secuestro Express (2005) 
This Must Be the Place (2011) 
J. Edgar (2011) 
Before Sunrise (1995) 
Argo (2012) 
We Bought a Zoo (2011) 
Midnight in Paris (2011) 
A Christmas Carol (2009) 
Shame (2011) 
The Awakening (2011) 
Annie Hall (1977) 
Gangs of Wasseypur (2012) 
Gangs of Wasseypur II (2012) 
Changing Lanes (2002)
Dazed and Confused (1993) 
Margaret (2011) 
The Raven (2012) 
Detention (2011) 
The Hunger Games (2012) 
Womb (2010) 
Bel Ami (2012) 
Salmon Fishing in the Yemen (2011)
The Conspirator (2010)
Pirates of the Caribbean 4: On Stranger Tides (2011) 
Rango (2011) 
Oliver Twist (2005) 
Dark Shadows (2012) 
Triumph of the Spirit (1989) 
The Rum Diary (2011) 
Goats (2012) 
The Door (2012) 
The Flying Scotsman (2006)
Paan Singh Tomar (2012) 
Hanna (2010) 
Brave (2012) 
Hodejegerne/ Headhunters (2011) 
Take Shelter (2011) 
The Details (2011) 
Coup de tête (1979)  
Looper (2012) 
Trouble with the Curve (2012) 
Abosheshey (2012) 
Bhooter Bhobishyot (2012) 
Dutta vs Dutta (2012) 
Aiyyaa (2012) 
Barfi (2012) 
Vicky Donor (2012) 
Talaash  (2012) 
Cocktail (2012) 
Ek Main Aur Ekk Tu (2012) 
English Vinglish (2012) 
Ishaqzaade (2012)
Tawbe Taai Hok (2012)
Luv Shuv Tey Chicken Khurana (2012)
Kahaani (2012) 




Kahaani
Paan Singh Tomar

Vicky Donor
Talaash
Abosheshey
Bhooter Bhobishyot
Tawbe Taai Hok

Ishaqzaade
Annie Hall

Friday, March 16, 2012

Bhooter Bhobishyot: Plight of the Living Dead


Anik Dutta's debut Bangla feature film 'Bhooter Bhobishyot' is a delightful watch.

It is a tongue-in-cheek film about endangered ghosts of an ancient mansion.

Here, the ghosts of the age-old Choudhury Palace face the plight of getting ousted, as it is being eyed for a mall-cum-multiplex, thanks to the contemporary consumerist craze.

The crumbling mansion hosts unique specimens of the living dead, hailing from different era and from different socio-cultural backgrounds, making the colourful past come alive.

They have nowhere else to go, and apparently enjoy their stay at the derelict mansion.

Their abode lures film crew who find shooting amidst the decaying opulence lucrative.

It is an irritant for the ghostly souls - averse to the purported invasion of privacy.

They ensure that the place gets a haunted house tag and remains secluded in obscurity.

They also need to ward off the scheming villains eager to raze the building to the grounds.
I found 'Bhooter Bhobishyot' to be a thoroughly entertaining film. It does not pretend to be pseudo-intellectual, although the premise has multiple layers that will make one chuckle and relish the sardonic wit in the writing. The director deserves a pat in the back for the skilful execution of his novel concept, and the producers deserve some genuine appreciation for having braved to back a project which one would have easily relegated for the small screen, as many a novel idea are found to seek refuge only in the format of tele-films. After all, this is indeed a period of existential crisis for not just the film's ghost protagonists but also for the makers of cinema that chooses to digress from a much trodden path. Anik Dutta's film tries to blend the absurd, or the farcical, with the real. And he succeeds, mostly that is.
The ensemble cast is joy to watch. It includes (the list is really long) Parambrata Chatterjee, Sabyasachi Chakraborty, Anindita Bose, Bibhu Bhattacharya, Swastika Mukherjee, George Baker, Paran Bandyopadhyay, Samadarshi Dutta, Sumit Samaddar, Biswajit Chakraborty, Mumtaz Sorcar, Monami Ghosh, Kharaj Mukherjee, Saswata Chatterjee, Debdoot Ghosh, Srilekha Mitra and Mir. Some of the big names just have cameo appearances, yet each has contributed fairly to make their presence felt.

The teamwork of Indranil Ghosh (art direction), Abhik Mukherjee (cinematography), and ArghyaKamal Mitra (editing) has contributed immensely in creating the ambience and ethos integral to the narrative. The music (by Raja Narayan Deb) is apt and some of the situational songs are a breather (the best songs are however the zany ones featured on Samadarshi, playing Pablo-the-rocker). The spoofy takes on the constitutional inconsistencies of Bangali life, as well as the period-specific milestones that are casually referred to, have enriched the screenplay. The film could have been a crass comedy in lesser hands (although some of the innuendos could have been easily avoided) and a less nuanced tone could have marred the desired effect. I wish the film all the best, and I am keeping my fingers crossed that Bangali viewers (who do not necessarily equate a comedy with a laughathon) will love this breezy celluloid treat.

Wednesday, June 08, 2011

A tête-à-tête with Samadarshi

Samadarshi Dutta is one of the fresh talents that Bangla cinema can boast of. He is an actor who has been consistently doing quality work, and I am proud to present a candid conversation with this actor par excellence.

Even a few months back, I was unfamiliar with your acting.... but after watching you in "Aami Aadu" early this year I was absolutely impressed and have no doubt that you are one of the hottest young talents in Bangla cinema.

Thanks, for the appreciation. I haven't acted in too many films, but I consider myself lucky to be associated with good films.

You had started out with television, didn't you?

Well, I did just one television serial called "Kakhano Megh Kakhano Brishti", and it was a few months' work only, yet it got me some recognition.

True, and many have told me that they know you because of that serial.... people in the film fraternity, also admire you a lot for your very first film, "Ichchhe" that hasn't been released till now.

Yes, people in the industry who have seen "Ichchhe" have all lavished praises on me...... it was indeed a special film, and I acted alongside Sohini Halder, who played my mother, and Bidita Bag, with whom I share a wonderful working chemistry.



Samadarshi, you have had a formal training too, at the FTII, Pune, and it must have been quite an enriching experience, right?

Of course, I was lucky to have had done my stint there, and apart from the grooming and the exposure to the art and craft of cinema, I have made some great friends.
That you are well-versed in acting was evident when I saw "Aami Aadu", and then when I saw you in "Aarohan". You did some acting on stage too, didn't you?

Yes, I did group theatre for some time before moving on to act in films.

But don't you think for Bangla mainstream cinema your grooming and education might be considered a disadvantage? Are you open to all sorts of screen roles?

By Bangla mainstream cinema if one understands a certain kind of copy-paste versions of Telugu or Tamil potboilers, then I might not fit into the so called mould, but I do have enough confidence as an actor that I can act in diverse genres of films.

In "Aarohan", you have had an American accent, you must worked hard.....

I think I did a somewhat okayish job in terms of preparing for it. I also had to acquire the accent of Murshidabad district for "Aami Aadu", if you remember.....

Of course, you had sounded absolutely convincing!

Well, that is what an actor is supposed to do, isn't it? Becoming a character in entirety involves getting the dialect, the body language and the behaviour right.

Very true. By the way, your Hindi diction is good, so, are open to offers from Mumbai?

Mumbai, Chennai..... whichever part of the country beckons me! I'm open to doing films in any regional language whatsoever, and I believe I can pick up the language for the role.

Wow! Is that because you weigh your options cautiously, or find that Tollygunge might not have the right kind of opportunities.....

My first release was an out and out commercial film, "Saathi Aamaar Bondhu Aamaar", and it is not that I'm too proud of that film.... I want to act in films which I can proudly look back upon when I reflect on my work as an actor some years from now.

In that film, you were introduced as Surya..... which was odd......

There are things like that an actor can't do anything about. Interestingly, the first time I had got an offer from Tollygunge, was from the Late Anjan Chowdhury, who wanted to make a film with me, and though it didn't materialise, the fact that he himself had narrated the script is a treasured memory.
Please tell me about your projects at hand.

I have wrapped up the shoot for "Mukti", "Bhooter Bhobisyot", and "Dekha Na Dekha".

In Gautam Halder's "Mukti", you have worked with Raakhee Gulzar, right? How was it working with her?

Yes, I do not have many scenes with her in the film though. She is a stalwart indeed and working with stalwarts give me enough resources and insights which I look forward to implementing in due course. for example, in "Aarohan", I had worked with Soumitro Chattopadhyay and Sandhya Roy, and from them to I got to learn as well. I worked in "Hing Ting Chhawt" which too had Soumitro Chattopadhyay. Thus, my perspective on cinema indirectly got shaped even while I was working.


A personal question, as an actor, do you feel insecure at times?

I'd be lying if I deny; the profession of acting does have its share of insecurity, but I believe in honing my skills and having enough self-confidence and faith in my capability. I am passionate about acting.

When exactly did you sense this passion within, for the first time, you do not come from a family of actors or cinema professionals, do you?

No one in my family have been part of showbiz, my folks are all academically inclined, and have had successful careers.
I remember being stirred by a film shown on television, when I was in high school, I recall the very scene but not the name of the film, and I knew that I had to act! Eventually, getting selected as a student at FTII was a huge turning point for me.


Tell me about the things you indulge in when you aren't acting.

I love watching films. I can boast of an impressive collection of films from around the world on my computer..... hahaha......

What kind of films do you watch?

All kinds..... I love watching world cinema - the classics, for sure, plus works of all the contemporary greats.

You have an eclectic taste in music too..... I know, you play the guitar.....

Well, I do love strumming the guitar. For a while, I had studied tabla, sarod, and violin too.....

That says a lot about you, you love accomplishing things.... hahaha.... but, Samadarshi, I can't help observing how affable you are, without the trappings of a star.

I am not a star, not yet..... I would love to be an actor, an actor who works earnestly..... and by the grace of God, people like me. People who have worked with me, including my co-actors and technicians, and even the spotboys and the chaiwallahs, have endeared me. Somehow, I can connect with people. I love that.

How do you stay fit? Isn't the physicality bit in cinema a fad now?

I am not into beefing up, as is evident, but I do believe working out is important. It is important for an actor to stay fit and healthy, by all means.

You know, I was elated to learn that "Aami Aadu" has bagged both the National Award (for best regional film - Bangla), and the Silver Award at SAARC Film Festival in Colombo. I am sure that you will go places as people will take note of you for your distinctive. May your work speak for itself. I wish you all the best for all your forthcoming projects.

Thank you. I am happy that people love me, and my work.

It was lovely talking to you.
I am sure my readers will enjoy the chat as well.